Heywood-Wakefield 1953


Heywood-Wakefield Advertisement – The American Home Magazine – August 1953

As I had written earlier this week, the pile of The American Home magazines I recently ran across has been a treasure trove of fabulous information, images and style. It is always so nice to see how the vintage items I cherish now were originally presented, utilized, marketed and displayed.

The Heywood-Wakefield ad shown here includes pieces which are part of our collection. The china cabinet, buffet and dining chairs (with the drop leaf whalebone table not shown) all sit in my dining room. This exceptionally styled and crafted furniture is as stylish today as it was 55 years ago.

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Caribbean Cruise


Caribbean Cruise Pilsner Set – Libbey Glass – 1959

These fun glasses from Libbey Glass were introduced in 1959 and only produced through 1961. Unlike the “Golden Foilage” line by Libbey, which was made for most of the 1960’s, this design is much harder to get your hands on and highly sought by fans of Tiki decor. I was lucky enough to come across a set of 14 pilsners and 6 cocktail glasses recently.

Libbey Glass has a long tradition of glass production going back into the 19th Century. The company is still operating as Libbey, Inc. and the company website has the story of their fascinating history.


Caribbean Cruise Cocktail Glass Set – Libbey Glass – 1959

This and other Libbey patterns were heavily marketed by owner Owens-Illinios throughout the 1950’s, 60’s and early 70’s in home decor magazines. I ran across this example from a 1959 Better Homes and Gardens.


Libbey Glass Advertisement – Better Homes and Gardens – 1959

Caribbean Cruise is one of the most playful and entertaining of Libbey’s mid-century designs and, although harder-to-find then some other patterns, is well worth seeking out.

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The Decisive Moment


Alberto Giacometti in Studio – Henri Cartier-Bresson – circa 1952

Today marks the 100th Anniversary of the birth of photographer Henri Cartier-Bresson. I first became familiar with the work of Cartier-Bresson through some of his subjects – Picasso, Matisse, Renoir, Calder, Giacometti and Duchamp.

In 1952, Cartier-Bresson authored Images à la sauvette, whose English edition was titled The Decisive Moment. In it, he discussed the philosophy of his art by building on a concept articulated by Cardinal de Retz, “There is nothing in this world that does not have a decisive moment”

In a 1957 Washington Post interview Cartier-Bresson discussed this concept by saying:

“Photography is not like painting. There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.”

Oop! The Moment! Once you miss it, it is gone forever.

Words as true in life as they are in art as we each face our own “decisive moments.”

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The Potter’s Wheel by HLC – 1939


The Potter’s Wheel – Homer Laughlin Co. – 1939 World’s Fair

With the upcoming Fiesta Tent Sale this weekend in Flatwoods, WV it seemed a good time to focus on my favorite piece of Homer Laughlin China. While a fan of Fiesta, (the modern lady and I have a relatively large collection of early pieces in red, cobalt, yellow and light green with a few pieces of the 1950’s chartreuse) I don’t collect any of the current color line.

The highlight of my Homer Laughlin collection is a commemorative plate made during the 1939 World’s Fair at The Joint Exhibit of Capital and Labor. HLC and several other pottery companies built a demonstration kiln for the exhibit and produced these great plates. The National Brotherhood of Operative Potters Union manned the exhibit. Glazed in the Fiesta light blue, this plate features a medieval potter at the potter’s wheel. All pieces were marked on the back as shown here:

The history of items intrigues me as much as the item itself sometimes and this is certainly the case with The Potter’s Wheel plate. There were a few other designs of plates made, all around the same theme, but this is the only one I currently have.  As I find others I’ll share them here.

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Wish List – Eva Zeisel’s Pals by Monmouth


Place and Show – The American Home Magazine – August 1954

I just acquired a large stash of 1950’s The American Home magazines and have been like a kid in a candy shop. We are always on the lookout for interior design magazines from this period, as they are the best reference materials available on many mid-century items, and this lot has been a virtual treasure trove of information and photographs.

One of the best pieces I ran across the article Place and Show by Gertrude Brassard on Eva Zeisel’s Pals pattern for Monmouth Pottery. I have always been an admirer of Zeisel’s designs and, while having seen this shape before, this was my first opportunity to see the Pals “turnip people” decorations on this dinnerware.


Pals “Turnip-People” detail – Monmouth Pottery – Eva Zeisel – 1954

Starter sets of 16 pieces in this pattern sold for $20.95 in 1954. Prices have, shall we say, increased and finding pieces of Pals, which is very scarce, is a challenge. You can bet I’ll be looking though.

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Overman Swivel Chair by Carl Eric Klote


Swivel Chair – Overman USA – Carl Eric Klote – circa 1960’s

In the late 1950’s Swedish designer Carl Eric Klote developed a process of making furniture utilizing a light-weight expandable polystyrene frame for Overman. The company produced pieces in factories in Sweden and Germany before ultimately establishing Overman USA in Knoxville, Tennessee.

Very light, yet so durable the company offered a 25 year guarantee, these pieces have become classics of mid-20th Century design. The chairs and sofas all have sculptural qualities to them and, when properly care for as the one shown here from the early 1960’s has been, are as graceful and fashionable today as the were nearly 50 years ago.

Klote went on to form Klote International Corporation in 1977 which is still producing furniture utilizing the same technique today.


Swivel Chair – Overman USA – Carl Eric Klote – circa 1960’s

Carl Eric Klote passed away in 2007 at his home in Högby, Sweden. He retained his Swedish citizenship until his death while working and keeping a home in the United States. According to Clarence Hamby, the controller of Klote International, he has over 2 million frequent flyer miles when he died.

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Eva Zeisel’s Museum White by Castleton for MoMA – 1943


Museum White Cup & Saucer Pair – Castleton China for Museum of Modern Art – Designer: Eva Zeisel – 1943

Described by New York Magazine as “…delicate and voluptuous, tableware where the tactile verges on the erotic.”

Pretty heady words for dishes – but then these are more than mere dishes. Designed by the legendary Eva Zeisel for the Museum of Modern Art in 1943 and produced by Castleton China the Museum White line is art and function combined. 

I was lucky enough to obtain a set of six cups and saucers recently and let me tell you they are a joy to look at and to use.

Zeisel, by the way, will celebrate her 102nd birthday on November 13th.

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1940’s Blenko Glass – The “Pre-Designer” Period


#475 Decanter – Blenko Glass – 1947

Before Winslow Anderson, Wayne Husted and Joel Myers were designing the glorious pieces during Blenko Glass’ “golden years” of the 1950’s and 60’s there was the time that has come to be known to some collectors as the “pre-designer” period. While really not true, as these pieces had to be designed by someone, it was prior to the hiring of a full-time industrial designer by the firm.

During this time most pieces were designed primarily by Richard Blenko Sr. along with his team of craftsmen. The sales department also played a role in developing items they believed would do well in the marketplace. Certainly the work coming out of the company prior to 1948 did not lack in style, imagination or beauty as can be seen in examples like the #475 decanter shown above.


#445HB Tumbler Set – Blenko Glass – 1944

With the hiring of Winslow Anderson and the appearance of his first designs in the 1948 catalog Blenko Glass certainly saw a change in direction towards a more Scandanavian look. However it was more of an evolution than a revolution as the strength of Blenko design was there even before the first “designer” arrived. Luckily, that evolution continues through today.

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Conant Ball ModernMates by Russel Wright


ModernMates Chests & Bedside Tables – Conant Ball – Designed by Russel Wright – 1949

I just found this week this wonderful set from Conant Ball’s ModernMates line designed by Russel Wright. With its modern component design in brushed birch this furniture was the follow-up to Wright’s American Modern for Conant Ball which began production in 1935.

As with so much of what we find the modern lady and I have the debate of if it goes to the showroom or home. This one is in the shop for now.

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United Carbon Building Interior Shots by Jean St. Thomas – 1941


Looking Outside to the Carbon Man Statue – Jean St. Thomas – 1941

A few of my earliest posts on this blog were about the United Carbon Building (now called Boulevard Towers) on Kanawha Boulevard in Charleston, WV and the sculptures by Robert E. Martens which grace that building. If you missed those at the time you can check them out here and here.

I’ve always loved this building – it is one of the finest examples of the modernist architectural style in West Virgina and is the only structure in the state which Eliel Saarinen played a role in designing. In addition to his collaboration with Charleston architect Walter Martens in designing the building his wife, Loja of the Cranbrook Academy, played a large role in designing the interiors for the United Carbon Building.

I have always wanted to take a trip back in time to see the inside of this building in all of its splendor and have finally been able to do the next best thing. Just this weekend I purchased three original photographs through another collector taken by renowned architectural photographer Jean St. Thomas just as the building was opening in 1941.

St. Thomas was well-known for her skills at capturing the subtle elements of art deco and modern design and her book, Marvelous New York: A Metropolis Portrayed(Davis McKay Co. 1937) is considered a classic of early 20th Century architectural images.

Discovering these photos made my weekend and gave me deeper appreciation for the deep modernist roots of this fabulous building.


Interior of United Carbon Building – Jean St. Thomas – 1941


Interior of United Carbon Building – Jean St. Thomas – 1941

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