Eva Zeisel’s Museum White by Castleton for MoMA – 1943


Museum White Cup & Saucer Pair – Castleton China for Museum of Modern Art – Designer: Eva Zeisel – 1943

Described by New York Magazine as “…delicate and voluptuous, tableware where the tactile verges on the erotic.”

Pretty heady words for dishes – but then these are more than mere dishes. Designed by the legendary Eva Zeisel for the Museum of Modern Art in 1943 and produced by Castleton China the Museum White line is art and function combined. 

I was lucky enough to obtain a set of six cups and saucers recently and let me tell you they are a joy to look at and to use.

Zeisel, by the way, will celebrate her 102nd birthday on November 13th.

Share

1940’s Blenko Glass – The “Pre-Designer” Period


#475 Decanter – Blenko Glass – 1947

Before Winslow Anderson, Wayne Husted and Joel Myers were designing the glorious pieces during Blenko Glass’ “golden years” of the 1950’s and 60’s there was the time that has come to be known to some collectors as the “pre-designer” period. While really not true, as these pieces had to be designed by someone, it was prior to the hiring of a full-time industrial designer by the firm.

During this time most pieces were designed primarily by Richard Blenko Sr. along with his team of craftsmen. The sales department also played a role in developing items they believed would do well in the marketplace. Certainly the work coming out of the company prior to 1948 did not lack in style, imagination or beauty as can be seen in examples like the #475 decanter shown above.


#445HB Tumbler Set – Blenko Glass – 1944

With the hiring of Winslow Anderson and the appearance of his first designs in the 1948 catalog Blenko Glass certainly saw a change in direction towards a more Scandanavian look. However it was more of an evolution than a revolution as the strength of Blenko design was there even before the first “designer” arrived. Luckily, that evolution continues through today.

Share

Danish Teak Bookcase


Teak Bookcase – Made in Denmark – circa 1964

The beautiful, glowing teak bookcase from Denmark was one of my early Saturday morning finds in the wilds of West Virginia this week. In nearly pristine condition this great piece looked even better after a good rub down with some teak oil.

I just never know what I’m going to run into while out on “the hunt” but finding gems like this certainly motivates me to go at it again next week!

Share

Conant Ball ModernMates by Russel Wright


ModernMates Chests & Bedside Tables – Conant Ball – Designed by Russel Wright – 1949

I just found this week this wonderful set from Conant Ball’s ModernMates line designed by Russel Wright. With its modern component design in brushed birch this furniture was the follow-up to Wright’s American Modern for Conant Ball which began production in 1935.

As with so much of what we find the modern lady and I have the debate of if it goes to the showroom or home. This one is in the shop for now.

Share

Sol Bloom Catch-It-All by Design for Moderns


Catch-It-All Detail with Better Homes & Gardens – Designer: Sol Bloom

Useful, eye-catching, sleek, graceful and oh so modern the “Catch-It-All” designed by Sol Bloom and produced by Designs for Moderns in California for a very short period beginning in 1952 epitomizes mid-century modern design for the home. This seemingly simple object is sculptural in its design and extremely functional while retaining its minimalist qualities. A true masterpiece.

Not many of these classic pieces have survived the years and they were not made for long. Records are scarce but it appears as though by 1954 or so production ceased. Many were used outdoors and lost to the elements and still others discarded over the years by owners who did not recognize the rarity, value or design significance of these “magazine holders” as many called them.


Catch-It-All – Design for Moderns – Circa 1952 – Designer: Sol Bloom

I was fortunate enough to come upon this one on trip through Pennsylvania and Virginia not too long ago. In excellent condition with no breaks to the fine metal mesh this 20th Century treasure is one of those finds which keep people like me hunting for more.

Share

David Williamson Opening – Museum of American Glass – August 7th

The work of Canadian glass artist David Williamson will be on display at the West Virginia Museum of American Glass in Weston beginning August 7th and will open with an artist reception and Q&A from 7 to 9 p.m.

For those unfamiliar with the WVMAG it is one of West Virginia’s true treasures and just this year moved to a bigger and better home. The museum is located at 230 Main Avenue in Weston and is open 12 – 4  p.m. most days- however they are closed on Wednesday and Sunday.

The David Williamson exhibition, Threshold Awareness, will run through December 5th.

Share

1950’s Sectional Sofa by Kroehler


Three Piece Sectional Sofa in Salmon – Kroehler – circa 1955

Nothing says 50’s modern like one of these classic sectional sofas! This one, by Kroehler Manufacturing Company, is a real beauty and is one of our recent acquisitions.

Kroehler came into being in 1902 when Peter E. Kroehler bought the Naperville Lounge Co., a maker of wooden lounge chairs and upholstered furniture. Kroehler built a new factory in in 1913 after the original facility was destroyed by a tornado and renamed the company Kroehler Manufacturing Co. By the 1940s, Kroehler was the second-largest furniture maker in the United States. 

Their upholstered furniture pieces were likely in your grandma or great aunt’s home. I remember my Aunt Nell had a huge Kroehler sofa (covered in plastic, of course) in the early 1960’s. The plastic was always said to come off “If company came” but I never recall there being company of high enough stature to warrant such treatment.

Like many domestic furniture makers Kroehler struggled during the 1970s ultimately closing its Naperville factory in 1978. In 1981 Kroehler was acquired by the ATR Group of Northbrook. Today, furniture is still manufactured under the Kroehler name by two unrelated companies, one in North Carolina and the other in Ontario, Canada.

But nothing beats one of these mid-century marvels – which look as though Frank, Sammy, Dean and the boys should be surrounding it sipping cocktails.

Share

United Carbon Building Interior Shots by Jean St. Thomas – 1941


Looking Outside to the Carbon Man Statue – Jean St. Thomas – 1941

A few of my earliest posts on this blog were about the United Carbon Building (now called Boulevard Towers) on Kanawha Boulevard in Charleston, WV and the sculptures by Robert E. Martens which grace that building. If you missed those at the time you can check them out here and here.

I’ve always loved this building – it is one of the finest examples of the modernist architectural style in West Virgina and is the only structure in the state which Eliel Saarinen played a role in designing. In addition to his collaboration with Charleston architect Walter Martens in designing the building his wife, Loja of the Cranbrook Academy, played a large role in designing the interiors for the United Carbon Building.

I have always wanted to take a trip back in time to see the inside of this building in all of its splendor and have finally been able to do the next best thing. Just this weekend I purchased three original photographs through another collector taken by renowned architectural photographer Jean St. Thomas just as the building was opening in 1941.

St. Thomas was well-known for her skills at capturing the subtle elements of art deco and modern design and her book, Marvelous New York: A Metropolis Portrayed(Davis McKay Co. 1937) is considered a classic of early 20th Century architectural images.

Discovering these photos made my weekend and gave me deeper appreciation for the deep modernist roots of this fabulous building.


Interior of United Carbon Building – Jean St. Thomas – 1941


Interior of United Carbon Building – Jean St. Thomas – 1941

Share

Let There Be Lamps!


Floor Lamp with Fiberglass Shades – Majestic Lamp Co. – circa 1955

I have to admit I can go more than little crazy about vintage mid-century lamps! In fact, during the recent move of our shop we found hundreds of them – the darn things were just stuck everywhere – many of which we forgot we even had. You see though, I just can’t pass up a cool lamp, so they accumulate. Sure, we sell many of them but I seem to acquire them just as fast.

From the strange to the elegant, the 1950’s and 60’s were the true heyday of fabulous lamps. Companies like Majestic and Aladdin produced lamps in the 1950’s which redefined the purpose of lighting as design and decorating elements. Even our own Blenko Glass got into the act by the mid-50’s and made some of the most gorgeous lamps which have survived the test of time and are just as elegant today as they were then.

So, I thought I’d share a few of my current favorites – Let There Be Lamps!


Controlled Bubble Lamp in Charcoal with Finial – Blenko Glass Co. – 1960-61


Turquoise Lamp Pair – Blenko Glass Co. – circa 1956


Organic Pottery Lamp with Fiberglass Shade – Aladdin Lamp Co. – circa 1950’s


Pottery Lamp with Original Woven Fiber Shade – Rosenthal-Netter (Italy) – circa early 1960’s

Share

Originals by William D. Goebel


Marshall University Old Main – Pen & Ink / Prismacolor – 1999 – Wm. D. Goebel

It has been nearly three years since the passing of Charleston artist William D. (Doug) Goebel. For those of us who knew Doug his absence is felt practically everyday.

What he left behind, in addition to many friends, was a body of work unmatched in our state. With pen in hand, Doug captured not only the architecture but also the spirit and pride of West Virginians. His drawings and prints have become heirlooms in many families and his work graces many homes, offices and public buildings throughout West Virginia.

Doug’s friendship with the modern lady and I went back much further than The Purple Moon but the presence of his work at our shop has been a constant since we opened.  It seemed only natural when we christened our new Over the Moon Gallery last month to feature original works by Doug and we were very pleased when all the pieces fell into place to allow us to do so and included several works which have never been previously exhibited.

The show of original works and rare prints will continue though September 15th.


Kanawha – Pen & Ink – 1985 – Wm. D. Goebel


P.A. Denny – Pen & Ink – 1985 – Wm. D. Goebel

Share