Charles & Ray Eames Stamps


Charles & Ray Eames Stamp Set – United States Postal Service –
Designed by Derry Noyes – 2008

Later this year the United States Postal Service will be releasing a commemorative set of stamps honoring the accomplishments of designers Charles & Ray Eames.

According to the USPS press release:

“In recognition of their groundbreaking contributions to architecture, furniture design, manufacturing and photographic arts, designers Charles and Ray Eames will be honored next summer with a pane of 16 stamps designed by Derry Noyes of Washington, DC. If you’ve ever sat in a stackable molded chair, you’ve experienced their creativity. Perhaps best known for their furniture, the Eameses were husband and wife as well as design partners. Their extraordinary body of creative work — which reflected the nation’s youthful and inventive outlook after World War II — also included architecture, films and exhibits. Without abandoning tradition, Charles and Ray Eames used new materials and technology to create high-quality products that addressed everyday problems and made modern design available to the American public.”

And I never thought I would collect stamps!

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Artist Unknown – The Challenge of Identifying Works of Art


Abstract– Oil on Board – Artist Unknown – Circa 1960’s

I am constantly buying art. Estate sales, flea markets, yard sales, auctions, galleries and antique stores are my regular haunts and it seems I run across some pretty fabulous pieces.

Often, however, details of the origin of the work is no longer available. Either the art is unsigned, has a signature or mark that is not readable or is signed by an artist for whom I can locate no information. While I have made some great finds by well known artists, such as Herber Bayer, all too often the background of the art is forever lost.


Abstract– Limited Edition Print 1/10 – Artist Unknown – Circa 1970’s

Take the piece above, which is a limited edition print, and is signed in what appears to be Arabic. I’ve never been able to locate any information regarding this piece except that the original owners acquired it in the early 1970’s.


Male Nude Torso– Pottery – Artist Unknown – Circa 1950’s

The same goes for the male nude torso pottery piece above which is unsigned. Purchased in Ohio several years ago, I’ve always liked the sculpture but know little of its origin outside of when it was acquired by the original owners.


Nude– Ink on Paper – W. Arnott – 1968

Then there are works like the quirky nude above. While it is signed and dated, I have hit a dead end in my efforts to locate any information about the artist. Likely it was done by  student in a college art department but I’ve been unsuccessful finding any information about W. Arnott. 


Abstract– Oil on Canvas – Artist Unknown – Circa 1960’s

While lack of information certainly does not deter me from buying a work of art I enjoy or which speaks to me on some level it would certainly be nice to know. I find a great deal of pieces like this have passed between generations and, even though mom and dad may have known the details, specific information about the artist and the manner the piece was orginally acquired is not accurately passed along with the art.

You can help prevent this from happening with your art collection by taking the time to mark each piece on the back with all of the pertinent information you know. Include the sales reciept if you have it and any other documentation you may have. Attaching an envelope to the back of framed pieces to hold such information works very well.

This can be especially important for works by local artists who may be well known in their region but will be much harder to identify if the piece passes along to a relative located somewhere else. Making sure the provenance and vital information of a work of art remains clear will add to its future value.

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Details of SB 328 – Division of Culture & History

The following are the specific changes to current statute proposed in SB 328: 

– That the division (of Culture and History) shall prohibit the selling of food and drinks in the West Virginia Science and Culture Center.

– That the commissioner shall use the exhibit room next to the archives reading room to expand the archives microfilm room and locate the gift shop in the basement of the West Virginia Science and Culture Center along with the museum. The commissioner may not merge the archives library with the lending library which loans books and materials.

– The Archives and History Commission shall have the oversight and administrative authority over the state historian and archivist.

– The director of the archives and history section shall serve as the state historian and archivist and shall make reports that are requested by the Archives and History Commission.

In addition to these provisions, there are minor word changes in a few sections to clean up antiquated or cumbersome terminology and these appear to not make any change in public policy.

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Proposed Legislation Addresses Cultural Center Use & Management

A bill introduced in the West Virginia State Senate today would require that the Division of Culture and History and the commissioner make specific use of the archives library in the West Virginia Cultural Center; prohibit the sale of food and drink in that building and merging the archives library with the lending library; locating the gift shop in the basement with the museum; and giving the Archives and History Commission oversight and authority over the state historian and archivist.

SB 328, introduced by Senators Boley, Helmick, Facemeyer, Green, Edgell, Yoder, Wells, Love, Bailey, Kessler and Sypolt has been assigned to the Senate Government Organization Committee for consideration.

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Better Than the Pot of Gold – Rainbow Glass


Decanters – Rainbow Glass – circa early 1960’s

West Virginia was blessed in the mid-20th Century with some of the finest glass producers in the world. While Blenko Glass is still making spectacular wares they are one of the last of their kind.

Huntington, WV was home to one of the makers that has long since gone by the wayside – Rainbow Glass. Located in Huntington’s Westside, Rainbow Glass manufactured stunning pieces and was widely regarded for their crackle glass and controlled bubble techniques.


Crackle Glass Decanter – Rainbow Glass – circa early 1960’s


Decanter & Pitcher – Rainbow Glass – circa early 1960’s

As with many other glass makers from the Mountain State Rainbow Glass was the victim of high energy prices and cheap imports.

I am a huge fan of Rainbow Glass and have a good number of pieces in my private collection and at our gallery. They are part of West Virginia’s glass making legacy and for that I will always be grateful.

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Urban Owl 3


Urban Owl – Filmed in Downtown Charleston, WV – January 19, 2008

I know, enough about the owl already.

But I’m just a too much an urban dweller and usually my only real exposure to wildlife comes from watching The Discovery Channel. So, when confronted with wildlife in my natural habitat, I just can’t resist the urge to pull out the cameras.

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Urban Owl 2


Urban Owl 5 – C. Hamsher – January 18, 2008

Our friend the owl was still haging around Downtown Charleston today and I was able to get a few more shots.

Thanks to Jessie who identified this as Barred Owl (a.k.a. Hoot Owl) in a comment to our previous post.

Also of interest is this article on new discoveries about urban owls.


Urban Owl 6 – C. Hamsher – January 18, 2008


Urban Owl 7 – C. Hamsher – January 18, 2008

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Playful Mid-Century Pottery


Comedy and Tragedy Planter– Gonder Originals – 1951

Pottery has been collected since man first started shaping clay and heating it to harden. One of my many passions in mid-century design are the fabulous and playful pottery pieces which were produced in the United States during the post-WW II period.

These highly decorative pieces are whimsical and fun and often seem to tell a story all of their own. Mass produced by companies like Haeger and Gonder from the Midwest and California firms and designers like Lane, Savina and Claire Lerner these are fun to collect, beautiful to display and add a sense of childlike fun to any decor.

The modern lady and I have collected these pieces for years and thought we would share some of our favorites.


Horse Planter – Maker Unknown – circa 1950’s


Centerpiece Bowl with Birds – Claire Lerner – 1952


Stalking Panther Planter – Lane Pottery – circa 1950’s


Gondola Planter– Haeger Pottery – circa 1955


Bust of a Woman – Savina – 1959

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Urban Owl


Urban Owl 1 – C. Hamsher – January 17, 2008

The modern lady had told me she seen an owl about in Downtown Charleston and I got a chance to see this wonderful bird for myself today.

We have been told by someone who also spends a great deal of time downtown that he believes this is the same owl that wintered here last year. I vaguely remember hearing about it then but never witnessed it. Today I had the fortune of coming upon him (her?) with camera in hand.

He certainly seems to be content where he is although it kept a close eye on me as a shot these photos.


Urban Owl 2 – C. Hamsher – January 17, 2008


Urban Owl 3 – C. Hamsher – January 17, 2008


Urban Owl 4 – C. Hamsher – January 17, 2008

I have noticed a sharp decline in squirrels and pigeons around the area!

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Archives, Food & The Commissioner

Randall Reid-Smith, the commissioner of the West Virginia Division of Culture and History, appeared before the Senate Government Organization Committee today to discuss the status of remodeling and expansion plans for the state’s Cultural Center at the Capitol Complex. While I have followed with a bit of interest posts in another blog about the issues surrounding the Cultural Center I must admit it has been a bit like gawking at a train wreck.

I have utilized the Cultural Center over the years on a limited basis – occasionally using the library, attended concerts in the performance hall and, when there was one, often took out-of-town visitors to the basement museum. I generally enjoyed my visits but frankly don’t think about the place much. I suppose I’m not much different than many West Virginians in that regard.

Now do not get me wrong – I feel the Cultural Center is important and the archives they hold are precious. I also strongly support many of the functions of the Division of Culture and History – like historic preservation. However, if I were to make a list of the major problems facing the state I can not imagine anything to do with this facility or the agency it houses would be anywhere near the top of the list. But that’s just me.

 All that said, I do have an strong interest in good, efficient and responsive government. That interest, and the opportunity, led to my attending the legislative committee meeting held today even though I really don’t, as they say, have a “dog in the fight.”

Randall Reid-Smith opened with a prepared statement in which he discussed the “options” being explored which included having food service and a gift shop either on the 1st Floor of the Cultural Center or in the yet-to-be constructed Atrium. He stressed that “experts” were looking closely at all of the options. Food preparation would not occur at the Cultural Center but rather at the new Capitol Food Court and transported across the grounds to the facility. He asserted several times that no “final decisions” had been made and that any plan, once completed, would have to be approved by the Capitol Building Commission.

Reid-Smith told the committee that the food service would not compromise the archival of state records and artifacts and stated that the “National Archives has food service.”

He wound up his formal presentation be saying that this is a “customer service administration” and that the goal was to provide “the best customer service to all West Virginians.”

At one point during his prepared statement, Mr. Reid-Smith showed the committee the original architectural drawing of the Cultural Center prepared in 1974 to demonstrate that the Atrium, along with a circular drive, were all part of the original plan. When instructed by the committee chair, Senator Ed Bowman, to turn the drawing around so that the spectators could see it Mr. Reid-Smith flipped the drawing around for a split second and then faced the committee again. Senator Bowman asked him again to show the drawing to the crowd and Reid-Smith did – half-hearted and with a pained expression on his face. Senator Bowman gently told him to be nice to which Reid-Smith snapped back, “I am nice.”

It seemed from my perspective that most of the people in attendance didn’t quite feel that way. Perhaps it was the visible contempt Mr. Reid-Smith showed for the mere citizens who were in the audience.

The commissioner then was asked a number of questions by the committee members. In response to a question from Senator Dan Foster, Reid-Smith detailed the timetable for the construction of the new museum. He stated that construction began on January 2nd and it was anticipated to take 15 months. He stated that a request for proposals for the “fabrication” was to be released this Thursday and that work should begin on that portion of the project by March 1st. He made clear that this was the timeline for the museum – not for the cafe/ gift shop.

The most pointed questions came from Senator Eric Wells who first asked if he was aware of how the National Archives protocols for archived materials differed from the ones in use by the Division of Culture and History. Mr. Reid-Smith quickly replied that he had never been to the National Archives. He then added that the Cultural Center was sprayed for bugs and vermin monthly.

Senator Wells also asked that, if given a choice, would Reid-Smith put in food service or add a more secure manuscript room to which the commissioner replied – “I’d do both.” Wells again asked this – that if he had to choose one or the other which would he choose. Again Reid-Smith stated “Both.”

The meeting wrapped up with the following series of questions from Senator Ed Bowman, the chair the committee, to Commissioner Reid-Smith:

Q. Has a final plan been approved?

A. No

Q. Before any plan is accepted it must be approved before the Capitol Building Commission?

A. Yes

Q. Meetings of the Capitol Building Commission are open to the public?

A. Yes

Q. In any proposal, is it being considered to move the archive storage from the 3rd and 4th floors of the Cultural Center?

A. No

Q. Have professional archivists been consulted and utilized in developing the options?

A. Yes

And that was it. The committee adjourned.

I am sure the news media will have a great deal more to report on this – especially regarding the specifics of Mr. Reid-Smith’s prepared statement as copies were made for committee members. Rest assured some enterprising reporter was going to get their hands on a copy.

While I don’t regularly follow the activities of the Division of Culture and History the opportunity presented itself to me to attend this meeting. I am certainly not well versed enough on all of the issues to formulate a concrete opinion on what seems to be a governmental quagmire.

I do have concerns about – and question the need for – a cafe or any food service at the Cultural Center. It seems risky to the integrity of the archives and not needed with a brand-spanking new food court in the basement of the Capitol.

It did seem as though Mr. Reid-Smith wants one though – and he strikes me as someone who is not used to being questioned regarding what he wants.

Hopefully, cooler heads will prevail and this will be looked at logically and with an eye towards what this agency is supposed to be about – the preservation of our state historical treasures and to foster cultural development in West Virginia. We will see…

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